含有"General"标签的书籍

A Dance With Dragons

Review

PRAISE FOR GEORGE R. R. MARTIN’S
A SONG OF ICE AND FIRE

“What’s A Song of Ice and Fire? It’s the only fantasy series I’d put on a level with J.R.R. Tolkien’s The Lord of the Rings. . . . It’s a fantasy series for hip, smart people, even those who don’t read fantasy.”—_Chicago Tribune_

A Game of Thrones

“Reminiscent of T. H. White’s The Once and Future King, this novel is an absorbing combination of the mythic, the sweepingly historical, and the intensely personal.”_—Chicago Sun-Times_

A Clash of Kings

“Martin amply fulfills the first volume’s promise and continues what seems destined to be one of the best fantasy series ever written.”—_The Denver Post_

A Storm of Swords

“Riveting . . . a series whose brilliance continues to dazzle.”—_Patriot News_

A Feast for Crows

“Of those who work in the grand epic-fantasy tradition, Martin is by far the best. In fact . . . this is as good a time as any to proclaim him the American Tolkien.”—_Time _

Product Description

Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his spellbinding landmark series--as both familiar faces and surprising new forces vie for a foothold in a fragmented empire.

In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance once again--beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has three times three thousand enemies, and many have set out to find her. Yet, as they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind.

To the north lies the mammoth Wall of ice and stone--a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge yet. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice.

And from all corners, bitter conflicts soon reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. . . .

Gulag: A History

From Publishers Weekly

Nearly 30 million prisoners passed through the Soviet Union's labor camps in their more than 60 years of operation. This remarkable volume, the first fully documented history of the gulag, describes how, largely under Stalin's watch, a regulated, centralized system of prison labor-unprecedented in scope-gradually arose out of the chaos of the Russian Revolution. Fueled by waves of capricious arrests, this prison labor came to underpin the Soviet economy. Applebaum, a former Warsaw correspondent for the Economist and a regular contributor to the Wall Street Journal and the Washington Post, draws on newly accessible Soviet archives as well as scores of camp memoirs and interviews with survivors to trace the gulag's origins and expansion. By the gulag's peak years in the early 1950s, there were camps in every part of the country, and slave labor was used not only for mining and heavy industries but for producing every kind of consumer product (chairs, lamps, toys, those ubiquitous fur hats) and some of the country's most important science and engineering (Sergei Korolev, the architect of the Soviet space program, began his work in a special prison laboratory). Applebaum details camp life, including strategies for survival; the experiences of women and children in the camps; sexual relationships and marriages between prisoners; and rebellions, strikes and escapes. There is almost too much dark irony to bear in this tragic, gripping account. Applebaum's lucid prose and painstaking consideration of the competing theories about aspects of camp life and policy are always compelling. She includes an appendix in which she discusses the various ways of calculating how many died in the camps, and throughout the book she thoughtfully reflects on why the gulag does not loom as large in the Western imagination as, for instance, the Holocaust.
Copyright 2003 Reed Business Information, Inc.

From Library Journal

More than a full-scale history of the Soviet Gulag, this work by the Spectator's deputy editor asks why it is so little remembered in both Russia and the West.
Copyright 2002 Reed Business Information, Inc.

The Stand

In 1978, science fiction writer Spider Robinson wrote a scathing review of The Stand in which he exhorted his readers to grab strangers in bookstores and beg them not to buy it. The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil. "I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke." There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book. –Fiona Webster SUMMARY: Arguably the greatest horror novel ever written by the greatest horror novelist, this is a true Modern Classic that was first published in 1978, and then re-published in 1990, complete and unabridged, with 150,000 words cut from the first edition restored, and now accompanied by unusual and imaginative line art. The total copies for both editions, in hardcover and paperback, exceeds 4 million worldwide. The Stand is a truly terrifying reading experience, and became a four-part mini-series that memorably brought to life the cast of characters and layers of story from the novel. It is an apocalyptic vision of the world, when a deadly virus runs amok around the globe. But that lethal virus is almost benign compared to the satanic force gathering minions from those still alive to destroy humanity and create a world populated by evil. Stephen King is a brilliant storyteller who has the uncanny gift of putting ordinary people in extraordinary circumstances, giving readers an experience that chills and thrills on every page. SUMMARY: This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death.And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides -- or are chosen. A world in which good rides on the frail shoulders of the 108-year-old Mother Abigail -- and the worst nightmares of evil are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the dark man.In 1978 Stephen King published The Stand, the novel that is now considered to be one of his finest works. But as it was first published, The Stand was incomplete, since more than 150,000 words had been cut from the original manuscript.Now Stephen King's apocalyptic vision of a world blasted by plague and embroiled in an elemental struggle between good and evil has been restored to its entirety. The Stand : The Complete And Uncut Edition includes more than five hundred pages of material previously deleted, along with new material that King added as he reworked the manuscript for a new generation. It gives us new characters and endows familiar ones with new depths. It has a new beginning and a new ending. What emerges is a gripping work with the scope and moral comlexity of a true epic.For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are reading The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival. SUMMARY: This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death.And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides -- or are chosen. A world in which good rides on the frail shoulders of the 108-year-old Mother Abigail -- and the worst nightmares of evil are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the dark man.In 1978 Stephen King published The Stand, the novel that is now considered to be one of his finest works. But as it was first published, The Stand was incomplete, since more than 150,000 words had been cut from the original manuscript.Now Stephen King's apocalyptic vision of a world blasted by plague and embroiled in an elemental struggle between good and evil has been restored to its entirety. The Stand : The Complete And Uncut Edition includes more than five hundred pages of material previously deleted, along with new material that King added as he reworked the manuscript for a new generation. It gives us new characters and endows familiar ones with new depths. It has a new beginning and a new ending. What emerges is a gripping work with the scope and moral comlexity of a true epic.For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are reading The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival.

The Big Short: Inside the Doomsday Machine

EDITORIAL REVIEW: The #1 New York Times bestseller: a brilliant account—character-rich and darkly humorous—of how the U.S. economy was driven over the cliff. When the crash of the U. S. stock market became public knowledge in the fall of 2008, it was already old news. The real crash, the silent crash, had taken place over the previous year, in bizarre feeder markets where the sun doesn’t shine, and the SEC doesn’t dare, or bother, to tread: the bond and real estate derivative markets where geeks invent impenetrable securities to profit from the misery of lower- and middle-class Americans who can’t pay their debts. The smart people who understood what was or might be happening were paralyzed by hope and fear; in any case, they weren’t talking. The crucial question is this: Who understood the risk inherent in the assumption of ever-rising real estate prices, a risk compounded daily by the creation of those arcane, artificial securities loosely based on piles of doubtful mortgages? Michael Lewis turns the inquiry on its head to create a fresh, character-driven narrative brimming with indignation and dark humor, a fitting sequel to his #1 best-selling Liar’s Poker. Who got it right? he asks. Who saw the real estate market for the black hole it would become, and eventually made billions of dollars from that perception? And what qualities of character made those few persist when their peers and colleagues dismissed them as Chicken Littles? Out of this handful of unlikely—really unlikely—heroes, Lewis fashions a story as compelling and unusual as any of his earlier bestsellers, proving yet again that he is the finest and funniest chronicler of our times.

I'm Just Here for the Food: Version 2.0

Product Description

Eight years ago, Alton Brown set out to create a cooking show for a new generation. The result was "Good Eats", one of Food Network's most popular programmes. Four years ago, when Alton Brown set out to write "I'm Just Here for the Food", he wanted to create a cookbook unlike any other - a cookbook for people who would rather understand their food than follow a recipe. A mix of cutting edge graphics and a fresh take on preparing food, "I'm Just Here for the Food" became one of the best-selling cookbooks of the year - and received the James Beard Foundation/KitchenAid Book Award as best reference book. This year, to commemorate and celebrate this more-than-300-thousand-copies-sold success story, STC is pleased to announce "I'm Just Here for the Food: The Director's Cut". This special edition features 10 brand-new recipes, 20 pages of material not included in the original book, a jacket that folds out into a poster and a removable refrigerator magnet - all wrapped around the material that made the original a classic instruction manual for the kitchen. The book now combines more than 90 recipes with a wealth of information that allow anyone - at any level of expertise - to understand the whys and wherefores of cooking.

About the Author

Alton Brown is the writer, director, and host of the popular Food Network television show Good Eats, and is the resident food historian, scientist, color commentator, and host of the network’s Iron Chef America series. In 2004, Brown was selected the Bon Appétit American Food & Entertaining Awards Cooking Teacher of the Year. He is a regular contributor to Bon Appétit and Men’s Journal magazines. He lives in the southern United States with his wife and daughter.

Perilous Fight: America's Intrepid War With Britain on the High Seas, 1812-1815

From Publishers Weekly

The deservedly overshadowed War of 1812 was redeemed by heroics at sea, according to this rousing military history. Journalist and military historian Budiansky (The Bloody Shirt) follows the tiny United States Navy, led by a handful of superfrigates, including the U.S.S. Constitution, in its oceanic struggle against the vastly larger, stronger, and haughtier British fleet, whose bullying practice of seizing American merchant ships and sailors provoked the war. Budiansky makes it a classic David and Goliath story, as the plucky Yanks, with better ships, sailing, and gunnery, win a string of resounding victories that wipe the smirks from their adversaries' faces. The author's colorful narrative is full of gory sea battles, chivalrous flourishes, mutinous tars, and charismatic performances by Stephen Decatur, David Porter, and other American naval legends; it becomes grayer and grimmer as the British blockade tightens and the Americans turn from pitched battles to prosaic commerce raiding. Budiansky's well-researched and skillfully written account extracts a gripping true-life naval saga from an otherwise inglorious conflict. 8 pages of color and 8 pages of b&w photos; 11 photos in text; 8 maps. (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved.

From

Bedeviled on land, U.S. forces were more effective at sea in the War of 1812. Continuing a venerable tradition of historians (Theodore Roosevelt, Henry Adams, Alfred Mahan) drawn to this topic, Budiansky narrates events and ventures explanations for successes of the U.S. Navy against Britain’s Royal Navy. The prerequisite was the pre-existence of an American navy, whose establishment Ian Toll recounted in Six Frigates (2006). Those frigates scored initial victories in warship-on-warship combat (the Constitution’s sinking of the Guerriere) that exhilarated Americans and made U.S. captains (e.g., Stephen Decatur) famous. But naval war in the chivalric style did not strike the historically unsung William Jones as a sensible strategy. Secretary of the navy during the war, Jones is the most important character in Budiansky’s account. Jones thought that attacking Britain’s merchant marine would hamper her superior fleet far more than would destruction of her warships, and so it turned out, as Budiansky’s analysis of the forces tied to convoy and blockade duties verifies. Conversant in nautical technicalities of the age of sail, Budiansky will absorb the avid naval history audience. --Gilbert Taylor

The Sweetgum Ladies Knit for Love

EDITORIAL REVIEW: “[Pattillo] creates a sweet story of redemption that will go down well with knitters as well as the knitting-challenged.” — PUBLISHERS WEEKLY“*The Sweetgum Knit Lit Society* cries for a sequel.” — BOOKPAGEOnce a month, the six women of the Sweetgum Knit Lit Society gather to discuss books and share their knitting projects. Inspired by her recently-wedded bliss, group leader Eugenie chooses “Great Love Stories in Literature” as the theme for the year’s reading list–a risky selection for a group whose members span the spectrum of age and relationship status.As the Knit Lit ladies read and discus classic romances like *Romeo and Juliet*, *Wuthering Heights*, and *Pride and Prejudice*, each member is confronted with her own perception about love. Camille’s unexpected reunion with an old crush forces her to confront conflicting desires. Newly widowed Esther finds her role in Sweetgum changing and is surprised by two unlikely friends. Hannah isn’t sure she’s ready for the trials of first love. Newcomer Maria finds her life turned upside-down by increasing family obligations and a handsome, arrogant lawyer, and Eugenie and Merry are both asked to make sacrifices for their husbands that challenge their principles.Even in a sleepy, southern town like Sweetgum, Tennesee, love isn’t easy. The Knit Lit ladies learn they can find strength and guidance in the novels they read, the love of their family, their community–and especially in each other.**Beth Pattillo** learned to knit in the second grade. She is the author of the book, *Heavens to Betsy*, the recipient of the Romance Writers of America Best Inspirational Romance Novel in 2006, and its sequel, *Earth to Betsy*. Beth lives with her husband and children in Tennessee.

Portrait of a Spy: A Novel

Gabriel Allon has been hailed as the most compelling creation since Ian Fleming put down his martini and invented James Bond (Rocky Mountain News). A man with a deep appreciation for all that is beautiful, Gabriel is also an angel of vengeance, an international operative who will stop at nothing to see justice done. Sometimes he must journey far in search of evil. And sometimes evil comes to him. In a dangerous world, one extraordinary woman can mean the difference between life and death. . . . For Gabriel and his wife, Chiara, it was supposed to be the start of a pleasant weekend in London-a visit to a gallery in St. James's to authenticate a newly discovered painting by Titian, followed by a quiet lunch. But a pair of deadly bombings in Paris and Copenhagen has already marred this autumn day. And while walking toward Covent Garden, Gabriel notices a man he believes is about to carry out a third attack. Before Gabriel can draw his weapon, he is knocked to the pavement and can only watch as the nightmare unfolds. Haunted by his failure to stop the massacre of innocents, Gabriel returns to his isolated cottage on the cliffs of Cornwall, until a summons brings him to Washington and he is drawn into a confrontation with the new face of global terror. At the center of the threat is an American-born cleric in Yemen to whom Allah has granted a beautiful and seductive tongue. A gifted deceiver, who was once a paid CIA asset, the mastermind is plotting a new wave of attacks. Gabriel and his team devise a daring plan to destroy the network of death from the inside, a gambit fraught with risk, both personal and professional. To succeed, Gabriel must reach into his violent past. A woman waits there-a reclusive heiress and art collector who can traverse the murky divide between Islam and the West. She is the daughter of an old enemy, a woman joined to Gabriel by a trail of blood. . . .Set against the disparate worlds of art and intelligence, Portrait of a Spy moves swiftly from the corridors of power in Washington to the glamorous auction houses of New York and London to the unforgiving landscape of the Saudi desert. Featuring a climax that will leave readers haunted long after they turn the final page, this deeply entertaining story is also a breathtaking portrait of courage in the face of unspeakable evil-and Daniel Silva's most extraordinary novel to date.

古拉格:一部历史

From Publishers Weekly

Nearly 30 million prisoners passed through the Soviet Union's labor camps in their more than 60 years of operation. This remarkable volume, the first fully documented history of the gulag, describes how, largely under Stalin's watch, a regulated, centralized system of prison labor-unprecedented in scope-gradually arose out of the chaos of the Russian Revolution. Fueled by waves of capricious arrests, this prison labor came to underpin the Soviet economy. Applebaum, a former Warsaw correspondent for the Economist and a regular contributor to the Wall Street Journal and the Washington Post, draws on newly accessible Soviet archives as well as scores of camp memoirs and interviews with survivors to trace the gulag's origins and expansion. By the gulag's peak years in the early 1950s, there were camps in every part of the country, and slave labor was used not only for mining and heavy industries but for producing every kind of consumer product (chairs, lamps, toys, those ubiquitous fur hats) and some of the country's most important science and engineering (Sergei Korolev, the architect of the Soviet space program, began his work in a special prison laboratory). Applebaum details camp life, including strategies for survival; the experiences of women and children in the camps; sexual relationships and marriages between prisoners; and rebellions, strikes and escapes. There is almost too much dark irony to bear in this tragic, gripping account. Applebaum's lucid prose and painstaking consideration of the competing theories about aspects of camp life and policy are always compelling. She includes an appendix in which she discusses the various ways of calculating how many died in the camps, and throughout the book she thoughtfully reflects on why the gulag does not loom as large in the Western imagination as, for instance, the Holocaust.
Copyright 2003 Reed Business Information, Inc.

From Library Journal

More than a full-scale history of the Soviet Gulag, this work by the Spectator's deputy editor asks why it is so little remembered in both Russia and the West.
Copyright 2002 Reed Business Information, Inc.

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